The Times published this piece on Nandalal Bose's work. "Word is that contemporary Indian art is the next sensation on the international market. So now's the time to learn something about where it came from..." UGH. Fun's over kids. "what is still probably news to many people: that modernism wasn’t a purely Western product sent out like so many CARE packages to a hungry and waiting world." True, True.
Nandalal Bose's work is being shown at the Philadelphia Museum of Art. The exhibit is entitled "Rhythms of India: The Art of Nandalal Bose (1882-1966). Bose was a student under Abanindranath Tagore, and eventually taught at Rabindranath Tagore's school in Santiniketan. It was this group of people who developed a modern Indian art accessible to the West but deeply rooted in the history of India.
"Evening", 1941
"Sati", 1943.
"From the official British perspective, India had no living art."
"New Clouds", 1937
"Gandhi March (Bapuji)", 1930. Linocut on paper.
"In 1930, he produced a print in response to Mohandas K. Gandhi’s march to the sea that year protesting the British taxation on salt. The print, a portrait of Gandhi, was an instant hit. Cheap to reproduce, it became the most widely circulated image of the leader of the Indian freedom movement. The two men became friends, political collaborators and spiritual allies. "
"Radha's Longing (Radha's Viraha)", 1936. Tempera on silk.
- This piece is very reminiscent of Mughal miniatures and the earlier Rajput style it incorporated along with the Safavid style. The similarities exist in it's composition, colors, use of trees akin to the Chaurapanchasika style of the Rajput empire, and topic matter of Radha and Krishna. Though, while the colors are similar they're certainly more vibrant. This is also the case for "New Clouds" below.
"Saraswati", 1941.
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1 comment:
Nandalal Bose was truly a visionary artist whose contributions to modernism deserve more recognition. His ability to blend traditional Indian art forms with Western techniques was truly groundbreaking. I adore his works for their deep cultural significance and timeless appeal. While it's true that Western modernism did have a significant impact on Indian art, I believe it's equally important to acknowledge the rich cultural heritage and traditions that Bose drew upon in his work. As you mentioned, Bose's emphasis on traditional Indian art forms, such as Mughal miniatures and Rajput painting, is a testament to his commitment to preserving and promoting Indian cultural heritage. His work serves as a powerful reminder of the importance of cultural exchange and the need to respect and learn from other cultures.
As for tips, I would suggest exploring more of Bose's lesser-known works, such as his watercolors and sketches. His use of watercolor is particularly striking, and I think it would be fascinating to delve deeper into his creative process and the inspirations behind his work. Lastly, I would love to see more discussion on the impact of Bose's work on contemporary Indian art. How have his contributions influenced the next generation of Indian artists? What lessons can we learn from his commitment to preserving cultural heritage while still pushing the boundaries of modern art?
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