Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Friday, November 7, 2008

Writing: Bellerose, Queens


Glen Oaks and Bellerose sit on the eastern edge of Queens near Nassau County, Long Island. No subways go there. This is where I grew up. In 1906 Helen Marsh of Lynn, Massachusetts purchased 77 acres in what was then part of Floral Park. Supervising construction of the first home there in 1910, her vision was one of a model community adjacent to the Long Island Railroad. When the LIRR agreed to build a station at her village she came up with the name Bellerose as a placeholder for something the neighborhood would later vote on. It stuck. Some believe the name comes from a rose farm that existed on the southern edge. Although Mrs. Marsh once said she chose the name because it sounded "euphonious".

Bellerose is home of the Queens Children's Psychiatric Center, the largest hospital of its kind in the United States, and the New York City-owned Queens County Farm Museum. Who would have thought the nation's most visited farm museum would be in Queens? This was where my neighboring elementary school would go select pumpkins around in the fall. This is where at the age of 14 we would climb through a whole in a fence on 249th Street to drink 40s and puff herb on the farm. If Bellerose had a skyline it would consist of the North Shore Country Club Towers and the Creedmoor Psychiatric Center. Purchased on land owned by the National Rifle Association, in 1912 the Farm Colony of Brooklyn State Hospital was opened by the Lunacy Commission of New York State. Fresh air for the crazy folk was the idea. Initially home to 32 patients by the 1950s this understaffed hospital now hosted over 8,000 in fifty buildings. Then Reagan happened. As budgets were significantly cut and new antipsychotic medications were developed, deinstitutionalization occured and patient population declined. One building, #25, has been abandoned since the 1970s. It houses one squatter who's lived there for over a decade and refuses to leave. The first floor is boarded off. Paint slowly chips away. Two blue chairs, torn apart by animals and time, sit in a room. Paint slowly chips away. One room has been infiltrated by pigeons and their droppings approach knee-level, creating a surreal effect. Paint slowly chips away. Wheelchairs sit. Paint slowly chips away. Chairs gain dust. Paint slowly chips away. A report on Long-Term Tissue Culture of Neuro-blastomas, never read, sits on desks. Paint slowly chips away. The Virgin Mary is depicted on a mural.

In 1987, when I was two years old, John Marrero walked out of Creedmoor. John Marrero was a 25-year-old prisoner who murdered his 14-year-old sister in 1979. He stabbed her and hurled her body out a sixth-story window. A police spokesman said "he apparently just left." Two weeks prior to that, John escaped Creedmoor his first time and returned several days later. In 1983, John and another inmate sawed through a barred window at the psychiatric hospital on Wards Island and climbed down 9 stories by tying together 25 bed sheets. The police captured John, who didn't resist, three days later in the Bronx. After escaping from Creedmoor that year he turned himself into authorities in East Los Angeles, California a month later. He was "cold and hungry". A day after John Marrero escaped, a 78-year-old patient named Stanley Daisak bludgeoned two other patients to death with a fire extinguisher. Stanley was a voluntary patient in the geriatric ward. Hours before daybreak he removed a fire extinguisher from the wall of Building 40, Ward 122-3A, and beat Joseph Guittari and Salvatore Inzerilla to death as they slept. Stanley Daisak was described by state mental health officials as a "model patient" who lacked the capacity for killing. He was found in his bed gripping the bloody fire extinguisher. Earlier in the year a patient who had been discharged was found frozen to death in the Bronx. Another patient who had permission to leave the center was found dead near the Roslyn exit of the Northern State Parkway, having been struck by a car. A nurse who worked there in the 1970s still dreams about the smell, the noise, the disregard for patients, and the Thorazine injections. A student who was there in 1956 once said the orderlies were more dangerous than the patients. On August 1, 2005, Brian Palmer escaped while being transported from Creedmoor to Mary Immaculate Hospital in Queens for consultation with a surgeon. Brian was a mental patient with a long history of violence, including sexual assault. I knew none of this, living four blocks away the entire time. Creedmoor remained isolated from the neighborhood but central to it at the same time. It was gated off. To me Creedmoor served as a marker of when the exit to our home would arrive on the highway. I never wondered what went on behind its intimidating facade. The barbed wire never stood out to me.

Across Commonwealth Boulevard from Creedmoor and adjacent to Bellerose lies Glen Oaks Village. The village is a 112-acre array of two-story buildings along curved, tree lined streets. I was raised in a small apartment in Glen Oaks before I moved 4 blocks away to Bellerose when I was 8. Glen Oaks was built during World War II as rental housing for GIs returning from Combat in Europe and the Pacific. During the 1970s and 1980s the community experienced a downturn in appeal. The property was not well maintained. Glen Oaks became known as a place for transients. It converted to co-op in 1981. Eventually new management came aboard and values rose. Initially home to mostly German and Italian families, during the 1980s the two neighborhoods saw a dramatic increase in immigrants from India and Pakistan. Neighboring Floral Park was the same. The schools in this neighborhood offered Indian families the promise and hope of private school education in the form of public school. It was a relatively quiet neighborhood and it's suburban nature set immigrant fears at ease. This is where I went to P.S. 186 in my sister's baggy mens (Queens in the 90's!) hand-me-down Hunt Club jeans, an L.A. Raiders Starter jacket, and Jordache sneakers I bought from Payless. This is where I played basketball and was told on the court that my L.A. Raiders Starter jacket smelled like curry. This is where I was called "Gandhi" - an insult I still don't understand as I didn't respond by calling my white classmates "George Washington". In the 21st century the neighborhood moved towards majority South Asian. Blue Star Grocery became Maharaja Grocery and the lady behind the counter morphed into a very intimidating South Indian lady with a ferocious mustache. Raj Mahal, Bombay Sizzlers and Bellerose Famous Pizza cater to entirely Indian consumers. There are still no subways. This is where I grew up.

*Big up Sarah Riffat for bringing up that crazy malayalee mustache lady I forgot about - that crazy malayalee mustache lady I've spent the last 5 years trying to forget about.

Read More...

Thursday, November 6, 2008

Indian Stuff: Devdas + Dev D Trailer + I Write Sometimes

Where to begin? Devdas was a Bengali novel written by Sarat Chandra Chattopadhyay in 1917. It was first brought to film in 1928 by Naresh Mitra and then several times over by P.C. Barua in the 1930s. Up until 2002, when Sanjay Leela Bhansali remade the film, the 1955 version was the most known. Starring Dilip Kumar and directed by Bimal Roy, it's easily one of the best Indian films ever made. I'm a sucker for gloomy black-and-white melodramatic 1950's films, as exhibited by my obsession with Pyaasa, and this is probably the best known of the genre. As far as the plot, basically: childhood sweetheards, rich man + poor girl, family objects and sends him away to the city, gives up on love, object of affection is married off to skeevy old man for money, he finds out, becomes a raging alcoholic frequenter of brothels, prostitute/dancer falls hopelessly in love with him, doesn't give a shit, dies on the way to his love's doorstep. Incidentally, Dilip Kumar was offered Guru Dutt's role in Pyaasa but turned it down as he was type-casted as the "tragedy king". 1955:



Now, Anurag Kashyap is working on a remake of Devdas set in modern times entitled "Dev D". This will be the most drugged out version of Devdas the world has seen. The trailer just came out:


All of this reminded me of some stuff I wrote a year ago about a self-destructing Indian kid in New York - write about what you know, right? I was reading "Unaccustomed Earth" by Jhumpa Lahiri and after enjoying Interpreter of Maladies and Namesake I guess I got fed up with her classist writing and the lack of any working class Indians, ever. There was also a short story about an alcoholic Indian kid that went to Cornell and he didn't seem nearly alcoholic enough. Upon reading it again I see that I drew upon Dutt's Vijay and Chattopadhyay's Devdas. Here's a photo of Kal Penn who would definitely NOT play the main character Gautham if my shite was ever brought to film but will suffice as a visual prop so you don't see me in your head while you read it. Composite characters, yeah... there are parts of me in this dude, sure, but also parts of everyone I hope.


"Big cokehead," they would say; "Big, big cokehead." What Gautham would say is: "Want a key bump?" With a half-filled pink plastic bag of cocaine in one hand and keys to his apartment in the other you could find Gautham scooping blow into his nose in bathrooms all over New York City. From the Plaza Hotel to dive bars like Vasmay's Lounge on Houston – he was well acquainted with bathroom stalls of all sorts. He was well acquainted with keys of all sorts as well; as when he was particularly drunk, he chose the wide, long key with a plastic black top made to open a heavy door. Typically he would go with a normal-sized key for a normal sized door and a larger-than-normal habit. This door often led to bad decisions, embarrassing confessions, uncontrollable jaw movements, and talking about stupid shit extremely fast. During the early years of Gautham's depravity such confessions would take place in a dark Harlem bedroom, lit only with a small red lamp until the sun would come up and his group of friends sleeping on the floor, couch, countertop - wherever - would slowly begin to sober and become eligible for sleep. Often they were confessions of not necessarily things they had done, but family things. Indian things. The time his dad tried to kill himself. The other few times he tried, never with the end goal in mind as taking 4 or 5 over the counter Zantac pills for heartburn couldn't possibly work. Meanwhile, Gautham was taking 4 or 5 Xanax pills for fun in the next room. And when his mother would do paat puja in one room, he would smoke pot and light an agarbathi stick in the next room. They would talk about their parents' first jobs in this country. The fact that Gautham's mother worked in a sweatshop making belts when she first came to this country. Immigrant things. They were no MIT Indians. They were no IIT Indians. They never made their way into a Jhumpa Lahiri book, as while his parents did drink tea and have dinner parties with Indian friends, they did not have Ph.D.'s or concern themselves with reading as a form of entertainment. For them entertainment was a novella about large Indian families with terrible, dizzying editing. For Gautham, the nights that involved having at-length discussions regarding growing up poor, listening to Tribe Called Quest and Television, and changing one's life for the better were perhaps the most positive of experiences related to use of the drug. He was nostalgic for those days as since then the drug had become as commonplace as a cigarette for him. In those conversations there was a certain hope that only youth could propose. There was a hope that this would be a short-term thing - a part-time job. After all, those were only the early years of depravity. Nights where he could remember what he discussed at all would be considered a win for him now. On one occasion his roommate found him on the floor of their building at 4 AM. This was a cold, hard floor in a cold, Bushwick building set amongst industrial buildings that may not stand the test of time here; buildings that compete with a massive in-flux of Midwesterners eager to be in the center of New York's artistic crowd 5 years too late. Original New Yorkers are scattered about, proudly sporting tell-tale signs of their foundation here in the form of old high school t-shirts and intonations that arise only whilst talking to drug dealers. He woke up in his bed at 2 PM: wallet, check, cell phone, check, keys, nope. Only one UARI; Unidentified Alcohol-Related Injury.

Nights like those would make him talk about swearing off alcohol and drugs and the lot as a whole. Talk about going into hiding to become a better man. Running away to India. Talk about being Buddhist, or maybe just a better Hindu. Talk about working out more. Talk about becoming a Vegan, for his body is his temple. Talk about reading more poetry; Rimbaud, Baraka, Rumi, Faiz Ahmed Faiz, and Kalidasa. Talk about sleeping earlier. Talk about how he'll make his family proud one day – make it up to them. Talk about how he would spend more time around the house he grew up in and fix things when necessary. Talk about how Gautham would find that girl and she would help him change. Talk about how she'd feel safe around him, and comfortable. Talk about being comfortable around her and safe around himself. Talk about painting more - studying Husain, the Mughal Artists of Akbar and Jahangir's ateliers, Duchamp, and Basquiat. Talk about writing more - reading more books and less blogs. Reading 5 Russian authors of his choice. Talk about watching more films - not movies, films. Talk about dinner parties and brunch. Talk about having the ability to have "a few drinks" the way he heard people talk about but couldn't understand. Talk about coming out of hiding when he was done talking about and had started doing. When Friday rolled around and Gautham had a drink or five in him, he'd yearn for something else for this can't possibly be the MOST fun one could have. Was that it? Really? Was there any more fun to be had? Anything? And then someone would talk about "blow" and the trajectory of the evening would change. That "talk about" was the only one that consistently ended up being one of the things people stopped talking about and started doing within the hour.

Read More...

Google Analytics